Posted in Brass on Feb 9th, 2010 No Comments »
Ditulis Oleh: Philip T. Cansler
These simple practice tips can lead to better playing – and a fuller life.We live in a busy world, but brass players, like all musicians, need to set aside sufficient time each day to practice. It lays the firm foundation on which [...]
Posted in Brass on Jun 16th, 2009 No Comments »
Five considerations for producing a quality sound
By Wayne R. Downey, XtremeBrass.com
Welcome to the world of XtremeBrass technique. This guide is designed to be your “guide to success” in reaching your peak potential as a brass player. As with any road map, there must be a destination in mind. The destination for all brass players in [...]
Posted in Brass on May 29th, 2009 No Comments »
By Wayne Downey
Embouchure/Aperture
A) Position of Jaw & Corners – Vertical alignment of teeth
B) Mouthpiece placement – Dento facial features
C) Mouthpiece pressure – Evenness of pressure on upper & lower lip
D) Shape of aperture – Oval, shaped by facial muscles
E) Size of aperture – Varies as to register, controlled by the position of the jaw, corners [...]
Posted in Brass, Partitur on Nov 18th, 2008 No Comments »
Have you been doing your lip flexibility exercises on a regular basis?
So often we tend to say that we have a few “set exercises” that are always included in our daily routine, but when we think back over the past couple of weeks’ practice sessions, we may realize that some of those exercises have been [...]
Posted in Brass on Jul 2nd, 2008 No Comments »
By : Bryan Goff
I keep repeating the theme that in order to not neglect certain playing techniques, we must include these techniques in a specific slot in our regular daily practice schedule. I have previously mentioned techniques such as lip slurs and single tonguing. I feel that it is also important to ensure that we [...]
Posted in Brass on Jun 29th, 2008 No Comments »
By : Bryan Goff
Some trills are easy, some trills are more difficult, and some trills are nearly impossible to execute cleanly. In the following example the B-natural to C trill is very easy. The C to D trill is more difficult because the pitch must be focused, by the lip, at a pitch center between [...]
Posted in Brass on Jun 19th, 2008 No Comments »
Oleh: Marko S Hermawan.
Jupiter Indonesia Endorser
Berhubungan dengan episode sebelumnya mengenai pemanasan alat tiup, marilah kita lanjutkan pembicaraan berikutnya. Latihan selanjutnya adalah memperhatikan nada pendek dan nada stakato.
SHORT NOTES
Biasanya latihan ini merupakan rangkaian pemanasan setelah Long Tones. Pemanasan ini bertujuan untuk memperkuat nada stakato, aksentuasi dan tekanan [...]
Posted in Brass on Jun 12th, 2008 No Comments »
By : Bryan Goff
One of my other Trumpet Topics pages included a description of the virtues of Long Tones vs. Lip Slurs. Something that I should have also mentioned in that description is that long tones tend to reinforce.
For example, if you are in the process of making an embouchure change, you will probably want [...]
We all know it’s important,
but how much do we use it every day?
By : Bryan Goff
Many of the benefits of practice with a metronome are quite obvious. When practicing a piece of music, the use of a metronome helps maintain a steady tempo throughout. A metronome is necessary for checking a composer’s tempo marking. Also, [...]
Posted in Brass, Partitur on May 26th, 2008 No Comments »
By : Bryan Goff
Lip trills differ from lip “shakes”, both in sound and in the technique of execution. When I speak of a shake, I am referring to that technique that is primarily used in jazz music, a slurred figure in the upper register similar to a trill but usually alternating between notes whose interval [...]